Kodak Is Back with Kodak Gold and Ultramax

Eastman Kodak out of Rochester New York has shocked the film photography world for a second time in very short time. 35mm film photography news is also ways somewhat slow as development and release of new cameras and films takes a long time and the entire industry is mostly stable thanks to a very reliable and predictable customer base. But Kodak has done something none of us were expecting and now, they’ve done it twice!

For years, if you wanted fresh Kodak color film, it always flowed through one familiar channel: Kodak Alaris.

Alaris was the company that handled the retail distribution, the consumer branding, and the “Kodak” film boxes we all know. Meanwhile, Eastman Kodak — in Rochester, NY — actually manufactured the film.

It’s always been a two-company system. There were two Kodaks.

But now something big has shifted.

Recently, Eastman Kodak began offering Kodak Gold 200 and Kodak UltraMax 400 directly from themselves instead of routing all sales through Kodak Alaris. That means the Rochester factory is now directly handling the product release and distribution on two of the most iconic consumer color films still being made today.

This follows right behind October’s surprise launch of Kodacolor 100 and 200 — which were also released directly by Eastman Kodak.

This isn’t just “new packaging.”
This is a distribution model change.

And it raises a lot of questions.

What does “direct from Eastman Kodak” mean?

So far, what we know is this:

• Eastman Kodak is promoting and selling Gold 200 and UltraMax 400 directly to retailers and distributors.

• New packaging has been revealed that matches the retro look of the Kodacolor boxes.

• Multiple retailers have already started showing “coming soon” listings with the new packaging.

• Kodak Alaris pages still list these films — which means both companies now appear to be active at the same time.

This is the first time since Kodak’s 2012 bankruptcy that Rochester has stepped in this visibly toward the consumer still-film market.

Why would Kodak do this?

There are several very possible reasons:

1. Demand is way higher than supply
Film demand has blown up since 2020. Kodak has even publicly stated they had to pause production lines to upgrade equipment just to keep up.

2. Cutting a middle layer could reduce friction
If Rochester sells directly to retailers, they may have more control on inventory allocation, and MAY be able to keep pricing steadier.

3. Brand ownership
Kodak Alaris is technically a separate company that licenses the Kodak name. Eastman Kodak might be trying to bring more of the Kodak film identity back “home” to Rochester again.

Which films could be next?

Right now, only:

• Kodacolor 100 / 200 (already announced direct by Eastman Kodak)

• Gold 200

• UltraMax 400

are confirmed flowing through this new channel.

But if this continues… it opens the door for:

• Portra family

• Ektar 100

• Tri-X 400

moving under the Eastman direct model too.

If THAT happens — then the entire still film division may end up being unified under one Kodak again.

What does this mean for the future of film?

Optimism + uncertainty.

On the optimistic side:

• If Rochester is taking the reins, we might see better stock availability.

• We might see less of the random price swings.

• We might see more new product development (Kodacolor proved they still have the chemistry + creativity to release new films).

BUT — there are questions that still haven’t been answered:

• Is Kodak Alaris being phased out?

• Or will both companies continue to handle film?

• How will retailers manage inventory during a transition?

• How will pricing shake out once the supply chain reconfigures?

Right now we’re seeing the first moves of a shift — but not the full road map.

For labs and shooters, the bottom line is this:

Kodak film is not dying.
If anything, Kodak is getting more active.

They’re reorganizing and re-positioning.

And Rochester is stepping up and taking a more direct position in the film photography economy again.

We may look back on late 2024 / early 2025 as the moment where Kodak decided to “own film again” — instead of outsourcing the brand to a license holder.

And if Kodak wants film to keep growing, this is the strategic move that makes the most sense.

So… should we be encouraged?

Honestly?

Yes — cautiously.

More direct control tends to make markets more stable, not less.

More products coming from the manufacturer directly tends to mean they are investing, not retreating.

And a company doesn’t redesign packaging and launch new emulsions if they're planning to shut the lights off.

This looks less like “Kodak might shut film down”
and more like
“Kodak wants film to be a bigger part of their direct business again.”

That’s huge.

The next 6–12 months will tell us how deep this shift goes. If Portra or Tri-X start appearing in the same direct pipeline — then this new Kodak film era is fully real.

Until then: stay tuned, stock your fridge as needed, and keep shooting.

Film is not just surviving — it appears to be reassembling itself to survive long-term.

Film Photography Gift Guide 2025

The Best Gear, Film & Lab Gifts

There’s something especially magical about opening a gift and knowing it’s going to fuel someone’s creativity — especially when that someone shoots film. Whether you’re shopping for a seasoned 35 mm enthusiast, a disposable-camera weekend warrior, or a complete beginner curious about the analog world, this gift guide has you covered. From excellent film stocks to must-have accessories and lab-friendly upgrades, here are top picks that fit the film-photography vibe.

🎁 Gift Categories & Top Picks

I’ve grouped the options so you can match gifts to the type of shooter or budget level. Each item includes a bit of context, why it works for film shooters, and what makes it special.

1. Film & Consumables — Give the Shot Themselves

Because the best film gift is more film.

• Lomography Metal Film Case
  – A stylish and practical way to store film rolls. Holds six 35 mm rolls (or mix in 120 if they shoot multiple formats).
  – Why it’s great: Film photographers often have a drawer bursting with rolls; a dedicated case gives them a tidy, safe way to carry or store them.
  – Bonus: It’s inexpensive (~$9–10) so it works as a stocking stuffer.

• Sissi Lu DO NOT X‑RAY Film Pouch
  – A protective pouch to shield unexposed film from airport security X-rays.
  – Why it’s useful: For anyone traveling with film (holiday trips, road-trips, visits to grandparents), this gives peace of mind.

• Film Rolls (not a product listing here, but highly recommended)
  – Although I haven’t pulled a specific stock here, plenty of sources suggest that gifting premium film (e.g., Kodak Portra 400, or Lomography LomoChrome) is always a hit.
  – Tip: Choose a classic, high-quality film that the shooter might hesitate to buy themselves as a treat.

2. Beginner / Starter Gear — Hook Them On Film

For someone new to film, you want something approachable but still meaningful.

• Kodak Ektar H35 Half‑Frame Film Camera
  – A half-frame 35mm camera: meaning you get twice the number of frames per roll (great for experimenting). Built-in flash, compact 22mm lens.
  – Why: It’s fun, less intimidating for someone starting analog, and the half-frame format invites creativity (and less wasted film).

• Film Photography Pocket Guide
  – A compact, digestible book covering the basics of film: loading rolls, exposure tips, composition for 35mm.
  – Why: Shooting film can feel a little mysterious when you’re used to digital. A guide like this lowers the barrier and makes it fun rather than intimidating.

3. Accessories that Make Film Life Better

Once someone is already shooting film, accessories become the “aha” gifts—they refine & upgrade the experience.

• Kodak Mobile Film Scanner
  – A clever way to digitize negatives/slides via smartphone. Back-lit base, simple setup.
  – Why: Many film shooters want to share or archive their work digitally. A scanner makes that smoother.

• Negative Supply Basic Film Carrier 35
  – A more advanced tool: helps flatten full-length 35mm negatives for scanning with a digital camera.
  – Why: For the film enthusiast who also scans and edits, this is a thoughtful upgrade—not super cheap but very appreciated.

• Moment Reusable Travel Film Pouch
  – A tough, water-resistant pouch designed for film rolls or small gear.
  – Why: For the film shooter on the go (vacations, carry-on, bag switching), good storage makes a big difference.

4. Lab & Development Gifts — For the DIY or Service Lover

Especially if your audience is into developing their own rolls, or you want to highlight lab services (hey, like your business!).

• Ilford Film Processing Starter Kit
  – A full kit: tank, chemicals, measuring cylinders—everything needed to develop 35mm (or 120) at home.
  – Why: Developing film yourself is part of the analog ritual. This helps someone take that step.

5. Fun / Miscellaneous Film-Themed Gifts

Small gifts that show you get film photography and the personality around it.

• Eco‑Friendly Film Lover Tote Bag
  – A simple cotton tote printed with a film-inspired design (“Real Photographers Use Film”).
  – Why: Fun, affordable, and perfect as a bonus gift or add-on.

• Camera Sticky Note Film‑Lover Gift
  – A quirky notepad styled like a camera for jotting down thoughts, shot notes, or lab orders.
  – Why: Film shooters often track frames, settings, moods—this is a fun way to lean into that habit.

• Polaroid Photo Album
  – A classic photo album (though styled for instant photos) stores prints or contact sheets.
  – Why: Film yields physical prints/negatives, and having a place to store and show them completes the experience.

🧭 How to Use This Guide (and Choose the Right Gift)

Here are tips for picking the most fitting gift:

• Newbie vs. Seasoned: If someone is brand-new, go simple (film, a starter camera, a guidebook). If someone already shoots regularly, pick something they may not have (scanner, carrier, lab kit).

• Format & Style: Know whether they shoot 35 mm, 120 (medium format), or both. Accessories and film vary accordingly.

• Budget: Film rolls and pouches can be <$20; cameras and lab kits can range significantly higher. Choose accordingly.

• Personality: Some shoot film for nostalgia and fun; others are serious analog artists. Tailor: fun tote or sticky notes for the former; high-end carrier or chemical kit for the latter.

• Add a Personal Note: For instance: “Enjoy your next roll on me!” or “Let’s develop together this year.” That kind of personal touch goes a long way in the analog world.

✅ Why These Gifts Matter for Film Photographers

From gift-guide research: film shooters are often looking for tools that facilitate creativity, experimentation, and upgrading their workflow. For example:

• One forum user advised: “Niche film stocks and camera straps are great ideas! … a toy camera like a Holga or Lomo Diana or a reusable disposable + film can be a fun gift.” Reddit

• A curated list of film-photographer gifts emphasized everything from film containers to inspiration cards and adapters. Haelio Photo

• Another recent guide noted: “From cameras and must-have film stocks to modern accessories and DIY darkroom kits, here are the top 10 gift ideas that will delight any film photography enthusiast.” Kelsey Smith Photography

Film photography isn’t just about the final print—it’s about the process, the tactile nature of it, the waiting, the surprise, the grain. A great gift acknowledges that process, not just the outcome.

🔔 Bonus Tip: Gift Your Film Lab Service

Since your business is running a lab and shipping nationally, don’t forget to include gift subscriptions or gift cards for lab services in your guide.

• A “Send me your roll” mail-in kit is a perfect gift for someone just exploring film.

• Or a “Develop + scan” package for a film shooter who already has gear but wants polished results.

• You can include this idea alongside product gifts as something uniquely you: e.g., “Pair this nice film roll + lab credit — you shoot, we develop, you relive.”

📝 Final Thoughts

Film photography is a combination of craft, nostalgia, surprise, and reward. When you give a gift that speaks to that, you’re not just helping someone take photos—you’re helping them build memories, experiment, make mistakes, wait (the best part!), and get delightfully surprised when the prints come back.

Whatever you choose from this guide, wrap it with a little note: “Let’s shoot a roll together,” or “Here’s your next adventure in analog.” That little extra means more than any gadget.

Here’s to excellent gifts, rich rolls, beautiful grain, and more stories told on film in the year ahead.

Happy gifting — and happy shooting!

Shoot Film This Christmas: 10 Holiday Photo Ideas for 35mm and Disposable Cameras

If you’ve ever looked back at a box of old family Christmas photos—the slightly out-of-focus tree, the weird flash shadows, Uncle Dave blinking mid-blink—you know exactly why film is perfect for the holidays. Film photography captures not just the image, but the feeling of the season: warm lights, real smiles, and a bit of imperfect charm that digital just can’t touch.

Whether you’re dusting off your trusty 35mm camera or picking up a few disposable cameras for the family, shooting film this Christmas is one of the best ways to preserve the magic. To help you make the most of it, here are 10 holiday photo ideas to try with film this year—plus a few tips to make sure your rolls come out looking merry and bright.

1. The Christmas Tree Glow-Up

There’s something timeless about a Christmas tree on film. The warm glow of string lights, the shiny ornaments, and maybe a little chaos as the kids (or cats) get involved.

🎞 Tips:

• Use a high-speed color film like Kodak Ultramax 400 or Fuji Superia 400 to handle the low light indoors.

• Skip the flash and let the glow of the lights shine. Try bracing your camera on a steady surface or using a tripod.

• Shoot a few frames wide to show the full tree, then move in close for ornament details.

💡 Pro move: Take a before-and-after shot—the tree as it’s being decorated, and again on Christmas Eve when it’s fully lit up and surrounded by gifts.

2. Candid Family Chaos

Forget the posed group photo—some of the best holiday shots happen in the middle of the action. Grandma laughing at a joke. Kids sneaking extra cookies. Someone struggling to tape the last piece of wrapping paper.

🎞 Tips:

• Keep your disposable camera or 35mm loaded and nearby all day.

• Don’t stress about perfect composition; these moments are all about real emotion.

• Try shooting from the hip—you’ll capture authentic expressions and reactions.

📸 Film choice: Color negative film like Kodak Gold 200 or Lomography 400 gives a warm, nostalgic tone perfect for family moments.

3. Christmas Lights and Bokeh Nights

Holiday lights at night are basically film photography magic waiting to happen. Whether it’s your front yard, the neighborhood display, or a trip to a local light show, this is your chance to experiment.

🎞 Tips:

• Use 800-speed film (Cinestill 800T or Lomography 800) if you can find it—it’s made for low-light conditions.

• Try focusing manually to create big, soft light circles (bokeh).

• If you’re using a disposable camera, shoot a mix—some close-up with flash, others farther away without it.

💡 Pro move: Hold a sparkler close to the lens (carefully!) or shoot through a frosty window for dreamy, glowy results.

4. The Gift Unwrapping Explosion

You know that moment—wrapping paper flying, ribbons on the dog, the pure joy on someone’s face when they get what they wanted (or the confusion when they don’t). Those are golden frames.

🎞 Tips:

• Use the flash indoors if the light is dim, especially with disposable cameras.

• Shoot fast! Once the paper starts flying, it’s over in seconds.

• Capture reactions from multiple people—givers and receivers alike.

📸 Pro move: Give everyone a disposable camera before gift time and see the day from multiple perspectives. You’ll get hilarious and heartwarming shots you wouldn’t have caught otherwise.

5. A Roll of Memories: Christmas Morning on Film

The soft light creeping in, the smell of coffee, the excitement in the air—it’s cinematic perfection. Christmas morning is your chance to slow down, shoot intentionally, and tell the story of your family’s holiday.

🎞 Tips:

• Start with the little details: stockings, breakfast, the view from the window.

• Capture the atmosphere before everyone wakes up, then the joyful chaos that follows.

• Don’t burn through the whole roll in 10 minutes—space it out to capture the full morning.

💡 Pro move: Choose one roll of film specifically for Christmas morning. Label it and store it with your negatives year after year. It’ll become a tradition worth keeping.

6. Holiday Portraits with Character

Forget stiff, over-posed Christmas cards. Film portraits have a softness and authenticity that’s unbeatable.

🎞 Tips:

• Use natural window light whenever possible. Film loves it.

• Ask your subject to hold a cup of cocoa, a pet, or a prop—it helps them relax and adds personality.

• If you’re outside, try shooting around golden hour when the sun is low and warm.

📸 Film choice: Portra 400 or Kodak Gold 200 for warm tones and soft skin color. Disposable cameras also do surprisingly well here—especially for candid close-ups.

💡 Pro move: Set up a simple holiday backdrop (like twinkle lights or wrapping paper) and shoot an impromptu photo booth for friends and family.

7. The Ugly Sweater Party (Film Edition)

If there’s ever a time to shoot a roll of film just for fun, it’s an ugly sweater party. These nights are full of laughter, bad fashion, and unpredictable moments—perfect for disposable cameras.

🎞 Tips:

• Bring a few disposables and pass them around. Let everyone take a turn.

• The flash will make colors pop and capture that hilarious vintage energy.

• Don’t worry about composition—this one’s all about fun.

💡 Pro move: After developing the film, make prints and mail them to your friends as “vintage party photos.” Everyone loves seeing their goofy selves through film grain.

8. Winter Walks and Cold Weather Film

Not every holiday shot needs tinsel and lights. Winter walks—bare trees, cloudy skies, cozy coats—make for moody, cinematic film photos.

🎞 Tips:

• Overexpose by one stop to keep snow scenes from turning gray.

• Be gentle with your camera in the cold—keep it inside your jacket between shots.

• Black-and-white film (like Ilford HP5 or Kodak Tri-X) looks stunning in winter landscapes.

💡 Pro move: Shoot a few frames on both color and black-and-white film to compare the mood. The difference is striking.

9. The Holiday Film Swap

This is a fun one for the community-minded shooter. Grab a friend, each shoot a roll during the holidays, then swap and double-expose it. The results are unpredictable—and often beautiful.

🎞 Tips:

• Use ISO 200 or 400 film to keep exposure balanced.

• Shoot big shapes and colors; avoid overly detailed scenes.

• Label your rolls clearly so you don’t forget which is which.

💡 Pro move: Post your results and tag #ShutterJunkiesFilmSwap. You might inspire others to try it next year.

10. Preserve the Past: Scanning and Sharing Your Holiday Film

Shooting film is half the magic—developing and sharing is the rest. When your rolls are ready, send them to a trusted lab (like, say, Shutter Junkies Photo Lab) for high-quality developing and scanning.

🎞 Tips:

• Choose “high-resolution scans” for prints or digital sharing.

• Save your negatives—it’s your physical backup.

• Consider ordering doubles of your prints to share with family or to tuck inside Christmas cards next year.

💡 Pro move: Create a “Holiday Film Album” on your computer or a physical photo book. Add to it every year and watch your family history unfold in grain and color.

Why Film Feels Right at Christmas

There’s something poetic about using film to capture the holidays. It forces you to slow down, to think before you click, and to embrace imperfections. Every frame becomes intentional—every moment feels earned.

Digital can document, but film remembers.

You’ll see the warmth of tungsten bulbs, the texture of wrapping paper, the real color of candlelight. Even the occasional blur or lens flare feels like part of the story. Film photography turns ordinary holiday chaos into timeless memories.

And when your rolls come back from the lab weeks later, it’s like a second Christmas morning.

Final Tip: Make It a Tradition

This year, challenge yourself to shoot one full roll of film every Christmas. Label each with the year, the film type, and maybe a few notes on the back of the prints. Over time, you’ll build a visual timeline of your family’s holidays—captured in all their grainy, glowing glory.

So grab a few rolls of 35mm film, toss a disposable camera or two into the stockings, and get ready to shoot film this Christmas. The memories you make will last far longer than the batteries in your phone.

📬 Ready to Bring Your Holiday Film to Life?

Develop your rolls with Shutter Junkies Photo Lab — we process 35mm, disposable cameras, 120, 110, and Advantix film right here in Greenville, TX, and ship across the U.S.

Order film developing at:
👉 www.shutterjunkies.org

Disposable Cameras Are Back (Again) — And Here’s Why That’s Awesome

If you’ve been scrolling through social media lately, you’ve probably seen them — that nostalgic flash, the film grain, and those wonderfully imperfect snapshots. Yep, disposable cameras are having another big moment.

But this time, it’s not just a throwback trend. Companies like Fujifilm and Kodak are releasing new versions of their one-time-use cameras, showing that film photography isn’t just surviving — it’s thriving.

A New Generation Discovers the Joy of the Click-Wind-Wait

For anyone who grew up in the pre-iPhone era, disposable cameras were the gateway drug to photography. You took 27 shots, dropped the camera off for developing, and waited to see what you got — sometimes gold, sometimes total blur, always a surprise.

Now, Gen Z is rediscovering that exact magic. Influencers are bringing disposables to parties, weddings, and concerts. The “film aesthetic” is trending hard — and for once, it’s not being faked with an Instagram filter.

That demand spike has caught the attention of film giants. Fujifilm recently released a new QuickSnap 2025 edition pre-loaded with Fujicolor 400. Kodak, never one to miss the nostalgia wave, is experimenting with new packaging and even hybrid “digital disposable” devices aimed at the TikTok crowd.

And you know what that means for labs like ours? More film to develop, more grainy goodness to scan, and more happy customers reliving their favorite moments the old-fashioned way.

What Makes Disposables So Appealing in 2025

Sure, smartphones can outshoot them technically. But that’s not the point. Disposable cameras offer something that digital never will — intentional imperfection.

• They slow you down. You only get a few dozen frames, so you think before you click.

• They build anticipation. You don’t know how your photos turned out until you develop the roll.

• They’re worry-free. No batteries to charge, no settings to fiddle with, no screens to distract you.

For parties, road trips, weddings, and family gatherings, they’re pure fun. Everyone can join in — no photography degree required.

And now, with fresh stock hitting the shelves from Fujifilm and Kodak, they’re easier to find (and more reliable) than the expired rolls that pop up on eBay.

The Shutter Junkies Take

Here at Shutter Junkies Photo Lab, we’re thrilled to see this comeback. We’ve been developing disposable-camera film for years, and it’s one of the most satisfying parts of the job. Each batch feels like opening a time capsule — laughter, chaos, and unplanned beauty, all captured on 35 mm.

So, whether you’re picking up the new Fujifilm QuickSnap or dusting off a classic Kodak FunSaver, we’re ready to develop, scan, and print every frame with the care it deserves.

Want to join the trend? Grab a few disposables for your next weekend adventure, then send them our way at ShutterJunkies.org. Because film photography never really died — it just needed a fresh flash. 💥

Lomography’s Lomo MC-A: A Modern Classic for the Analog Generation

If you’ve been itching for something new in the 35mm world, Lomography just dropped a treat for all of us film junkies. The Lomo MC-A — short for “Metal Compact-Automatic” — isn’t just another toy camera or nostalgic throwback. It’s a full-metal, USB-C-rechargeable, manual-capable, film-shooting machine that’s ready to go head-to-head with the beloved point-and-shoots of the 1980s and ‘90s.

In an age where vintage cameras are skyrocketing in price and half of eBay seems to be “for parts only,” Lomography has finally given us what we’ve all been waiting for: a brand-new, compact film camera that doesn’t feel like a plastic souvenir.

Let’s dive into what makes this little silver (or black) beauty such a big deal.

The Camera We’ve Been Waiting For

Lomography has always had a knack for keeping analog alive. From the LC-A+ to the Simple Use cameras, they’ve made film photography fun, accessible, and a little unpredictable. But the Lomo MC-A is a different beast altogether. It’s not a novelty camera — it’s a serious compact for people who love film but don’t want to baby their thirty-year-old Olympus Stylus or pay a small fortune for a Contax T2.

Right out of the box, the MC-A makes a statement. It’s solid metal, giving it a reassuring heft that most modern film cameras lack. Gone is the creaky plastic. Instead, it feels like something your grandfather would’ve trusted on vacation — if your grandfather had access to USB-C.

Let’s Talk Features (Because There Are Plenty)

Here’s the rundown of what you’re getting when you pick up the MC-A:

• 32mm f/2.8 multi-coated glass lens — not plastic, not a pinhole, but the real deal.

• Full metal body — available in black or silver.

• Automatic exposure and aperture priority modes.

• Full manual mode for the control freaks among us.

• Zone focusing from 0.8 m to infinity.

• Built-in flash with auto, fill, and off options (plus first-curtain sync).

• Multiple exposure mode (because one frame is never enough).

• Built-in light meter.

• USB-C rechargeable battery (no more hunting for weird button cells).

• LCD screen for mode display and shot count.

It’s essentially a mash-up of everything we loved about compact film cameras — but with modern sensibilities and fresh parts.

That Lens: The Heart of the MC-A

One of the biggest questions film shooters always ask is, “Yeah, but how’s the lens?”

The MC-A’s 32 mm f/2.8 glass lens is what Lomography calls a multi-coated optical lens, designed for clarity and vibrant color rendition. Early test shots from reviewers show it has that classic Lomography charm — contrasty, a touch of vignetting, and full of character.

It’s sharp enough to make portraits pop and wide enough to capture your weekend adventures without needing to step back into traffic. That 32 mm focal length sits right in the sweet spot between wide and standard — a perfect everyday companion whether you’re shooting street scenes, travel photos, or family life.

If you’ve ever wished your favorite vintage compact had a new lease on life (and didn’t leak light like a sieve), this lens will feel like a familiar friend.

The Build: Sturdy. Sleek. Reliable.

Pick it up, and you immediately know this isn’t your average Lomography camera. The metal construction feels premium — the kind of weight that makes you trust it won’t crumble in your backpack. The controls are tactile, the dials click with confidence, and the ergonomics strike that balance between retro and comfortable.

It’s available in two finishes — classic silver and matte black — both of which scream vintage cool without being gaudy. Think “retro-futuristic point-and-shoot” rather than “hipster gimmick.”

The USB-C charging port is tucked discreetly on the side, giving it a modern edge while keeping the design clean. That might sound small, but the convenience of charging your camera with the same cable you use for your phone is worth celebrating.

Automatic, Aperture, or Full Manual — You Choose

Here’s where the MC-A stands apart from most of today’s film cameras: it’s not just point-and-shoot.

You can go full auto and let the camera handle everything (perfect for beginners or those quick-draw street shots). But you can also switch to aperture priority to control your depth of field or dive into full manual to fine-tune your exposure.

That kind of flexibility is rare in new film gear today. Most new 35 mm options either oversimplify things or throw you into the deep end with full manual only. The MC-A lands squarely in the middle — giving you room to grow.

It’s basically a camera that says: “You can start with me, and you’ll still be using me years from now.”

The Flash & Multiple Exposure Mode

Let’s be honest — Lomography has always loved creative features, and the MC-A doesn’t disappoint. The built-in flash offers multiple modes, including auto, fill, and off, plus a first-curtain sync option for those light-trail-and-movement experiments.

And then there’s multiple exposure mode — a Lomography staple. Whether you want to double your portraits with cloudscapes or stack silhouettes, it’s a playground for creativity straight out of the box.

In a time where most compact film cameras are simple point-and-shoot boxes, features like these make the MC-A stand out for people who actually want to experiment.

Battery Life & Usability

Good news: the MC-A uses a built-in rechargeable lithium battery, charged via USB-C. According to Lomography, one charge should last dozens of rolls — though your mileage may vary depending on how often you use the flash or LCD screen.

No more stockpiling CR123s or trying to find obscure button cells online. You can charge this camera anywhere, even from a power bank in the field. That’s a small but meaningful upgrade for anyone who shoots film regularly.

The small LCD screen on top gives you quick access to your mode and frame counter. It’s subtle and modern, but it doesn’t ruin the analog feel — just a nice touch of convenience.

Price: $499 and Worth Every Penny?

Let’s talk dollars. At launch, the Lomo MC-A retails for $499 USD — and yes, that’s a bit of sticker shock for a Lomography camera. But context matters.

Compare that to the secondhand market, where a clean Olympus Stylus Epic now sells for $400+, and a Contax T2 can easily break the $1,500 barrier. In that light, $499 for a brand-new, warrantied, metal-bodied compact with manual control suddenly feels like a bargain.

Plus, you’re not dealing with sticky shutters, expired light seals, or batteries that no longer exist. You’re buying a film camera that works today, with today’s tech, and will likely outlive most of the fragile point-and-shoots floating around on eBay.

It’s also worth noting that Lomography tends to keep their limited runs limited. Once these sell out, don’t be surprised if prices creep up.

Who It’s For

The MC-A sits perfectly between entry-level and pro. Here’s how it breaks down:

• Beginners will love the automatic and aperture-priority modes, plus the fact that it’s dead simple to load and use.

• Intermediate shooters will enjoy the manual mode and control over exposure.

• Pros and collectors will appreciate the build quality, reliability, and that it’s a new camera in a market full of repair bills.

It’s especially appealing for anyone who wants to shoot film seriously without relying on decades-old gear. And for labs like ours at Shutter Junkies, that’s great news — more people shooting film means more beautiful negatives rolling through our scanners.

Real-World Use: What to Expect

From the first hands-on reviews, the MC-A is showing promising results. The lens delivers crisp images with a slightly warm tone — true to the Lomography look. The exposure system is accurate in daylight and surprisingly consistent indoors when paired with the flash.

It’s compact enough to toss in your bag but sturdy enough to feel like a “real camera.” Focus is manual zone style (like most classic compacts), so it rewards shooters who understand distance and composition. If you’re coming from digital, it’ll teach you to slow down and think before you shoot — and honestly, that’s half the fun of film.

Why It Matters for Film Photography

Every time a new film camera is announced, it’s a big deal. Manufacturing for film gear isn’t easy, and every modern release helps keep analog photography alive. The MC-A proves there’s still a market — and a growing one — for newfilm cameras built to last.

It also means younger photographers who fell in love with disposables or half-frames have a new “step-up” camera to graduate to. That’s healthy for the community, for labs like ours, and for the entire analog ecosystem.

When people buy new cameras, they buy film. When they buy film, they need developing. And when they develop, they discover places like Shutter Junkies Photo Lab — keeping the magic of film alive, one frame at a time.

Final Thoughts: Should You Buy It?

If you love film, want reliability, and don’t mind investing in something that will last for years, the Lomo MC-A is worth every penny. It’s stylish, solid, and refreshingly new in a sea of vintage uncertainty.

It’s not pretending to be a Leica, and it’s not trying to be a disposable. It’s something in between — a tool that invites creativity without breaking the bank.

Whether you’re capturing family moments, road trips, or weekend adventures, this camera feels like it’s made for film photographers today — the ones who value the craft, the process, and that satisfying click-wind-repeat rhythm we all love.

And when that roll is done?
You know where to send it. 😉
Develop your film at ShutterJunkies.org

Kodacolor is back: Eastman Kodak launches Kodacolor 100 & 200—and sells them itself

Film photographers just got a curveball we didn’t see coming. Eastman Kodak (the Rochester-based manufacturer) has launched KODACOLOR 100 and KODACOLOR 200—two daylight-balanced, color-negative 35mm films—and, for the first time in more than a decade, Kodak is distributing these rolls ITSELF rather than through Kodak Alaris. That single sentence is the headline and the plot twist.

What’s actually new here?

Three things.

1) New boxes on shelves: Kodacolor 100 and 200 are now listed on Kodak’s own site under “Still Film,” with product copy that emphasizes fine grain, saturated but natural color, high sharpness, and wide latitude. In other words: everyday, shoot-it-anywhere stocks.

2) Kodak is the seller, not Alaris: For years, the arrangement was simple if confusing: Eastman Kodak made the still films; Kodak Alaris marketed and sold them (Portra, Ektar, Gold, UltraMax, Ektachrome, etc.). Kodacolor changes that—Eastman Kodak is selling these rolls directly to distributors, a first in 10+ years. That’s not rumor; Kodak said so in its announcement.

3) Why do this now? Kodak says the direct-to-distributor move is meant to increase supply and “help create greater stability” in a market where prices have been swinging. This follows a 2024 production shutdown to upgrade the Rochester factory so it could meet surging demand for film. The timing makes sense.

The films at a glance

• Formats & speed: 35mm (135), ISO 100 and ISO 200, both daylight-balanced C-41 color negative films.

• Grain / look: Kodak markets both as fine grain, high sharpness, natural color, and wide exposure latitude—ideal for general picture-taking. Think travel, portraits, family, street in good light.

• Exposures: 36-exposure rolls are already live at major retailers (B&H, among others).

• Price (early days): We’re seeing listings around $8.99–$9.50 per roll—not official MSRPs, but a helpful ballpark as retailers open orders.

• Where first: Kodak says the initial availability is U.S. and Canada, online and in-store at photo retailers.

Are these truly “new” emulsions?

Kodak’s language is careful: the company calls Kodacolor 100 and 200 “sub-brands of existing Kodak films.” That hints at familiar emulsions presented in new packaging/positioning, not chemistry never seen before. The company hasn’t said which stocks they map to, and that’s deliberate.

The photo press and retailer listings add a bit of color, with responsible caveats:

• Some reporting suggests Kodacolor 200 looks like a rebrand of ColorPlus 200—a long-time budget favorite—though Kodak has not confirmed this.

• Others note Kodacolor 100 might behave similarly to Pro Image 100 (again, not confirmed by Kodak). The early retailer copy describes a more natural, less punchy palette than Ektar 100, which lines up with that vibe.

Bottom line: expect friendly color, good skin tones, and latitude rather than the ultra-snap of Ektar or the premium skin-tone neutrality (and premium price) of Portra. We’ll know more as sample galleries and lab tests roll in, but the early take is “everyday usable” over “special-occasion specialized.”

Why this matters beyond the box

Supply and pricing stability: Kodak’s statement ties the direct-distribution move to supply and price stability. That’s significant in a year when film prices and availability have kept shooters guessing. If Kodak can take some friction out of the channel, shelves could stay fuller and prices less volatile.

Manufacturing capacity: The 2024 factory upgrades were framed as necessary to meet demand across still and motion stocks. A refreshed line plus a simpler distribution path is Kodak’s way of saying, “We’re investing in film.” That’s encouraging for anyone who loves the medium—and it counters the doom-scroll headlines.

The Alaris question: Since Kodak’s 2012 bankruptcy, Kodak Alaris (a separate UK-based company, recently sold to private equity) has controlled marketing and distribution of Kodak-branded still films, while Eastman Kodak manufactured them. Kodacolor doesn’t end that relationship, but it does show Eastman Kodak asserting direct control on at least part of the still-film lineup—an interesting precedent for the future.

How Kodacolor fits in Kodak’s lineup

Think of the family like this:

• Ektar 100: ultra-sharp, saturated, punchy—loves lenses and light; can be ruthless on skin tones.

• Portra (160/400/800): the portrait king—neutral, forgiving, pricey.

• Gold 200 / UltraMax 400: consumer-friendly color with a warm tilt and familiar “Kodak” vibe.

• ColorPlus 200: budget-minded, simple, classic look.

Kodacolor 100/200 aims squarely at the everyday sweet spot: clean grain, true-to-life color, and enough latitude to survive mixed light and the occasional metering miss—without the premium price of Portra or the saturated swing of Ektar. Early retailer descriptions even pitch Kodacolor as a better choice than Gold 200 when you want more naturalcolors, and less saturated than Ektar.

Early buying and shooting tips

• Start where you shop now. Major U.S. retailers already list Kodacolor; if you see “in stock,” grab a couple of rolls to test. Price is competitive (sub-$10 as of this writing for 36 exposures), which is refreshing.

• Pick 100 vs. 200 by light.

  • Kodacolor 100: crispest grain and highest sharpness; thrives in bright daylight, travel, landscapes, and flash portraits.

  • Kodacolor 200: a bit more flexibility for late afternoon, overcast, and indoor-with-window-light. Still not a night film, but a friendlier daily carry.

• Expose generously. Kodak’s C-41 negs generally like a touch of overexposure. If you’re on the fence, rate at EI 80 (for 100) or EI 160 (for 200) and meter for the shadows. The “wide exposure latitude” messaging suggests they’ll take it well

• Process is standard C-41. Any minilab or pro lab running color negative can handle it; scan at high resolution to enjoy the fine grain you’re paying for.

What it could mean next

Kodacolor 100/200 aren’t boutique experiments; they’re access films—priced and positioned to get more people shooting. If Eastman Kodak’s direct-to-distributor model works—keeping shelves stocked and prices calmer—expect ripple effects across the category. This could ease the bottlenecks that have frustrated newcomers and veterans alike, and it might give

A quick reality check on the branding

The Kodacolor name isn’t new; it’s a venerable Kodak brand dating back decades. Today’s Kodacolor 100/200 are modern color-negative stocks carrying that legacy banner. The company’s own phrasing—“sub-brands of existing Kodak films”—is a gentle reminder to judge them by results, not nostalgia or speculation. Shoot them, look at scans/prints, and decide where they land in your kit.

Our take

This is the kind of “quietly big” news film shooters should celebrate. The stocks look useful and affordable. The strategy—Eastman Kodak stepping in to sell still film directly—could help with the two pain points we’ve all felt: availability and price stability. And the timing follows a substantial factory upgrade meant to keep the emulsion train rolling. If you’ve been rationing Portra or wrestling with backorders, add Kodacolor 100 or 200 to your test queue this month and see if one of them becomes your everyday staple.

Sources & further reading: Kodak’s product pages for KODACOLOR 100 and KODACOLOR 200; coverage and context from Digital Camera World, Kosmo Foto, PetaPixel, 404 Media; retailer specs from B&H Photo Video; background on Kodak’s factory upgrade from The Verge.

Is This the End of Kodak and Film Photography?

For over a century, Kodak wasn't just a company—it was the poster child of photography. It shaped how the world captured and preserved memories, from the Brownie camera to the iconic phrase “Kodak moment.” But today, the unthinkable specter looms: could the fall of Kodak signal the end of film photography? Let’s unpack the situation, then explore why the analog world might still have a bright future.

Kodak’s Plummet: How Bad Is It?

As of August 12, 2025, Eastman Kodak has issued a troubling going-concern warning, stating that it may not have enough liquidity or committed financing to safely meet its debt obligations over the next year. This is a formal admission that its financial foundation is shaky at best.

The market reacted swiftly and decisively. Kodak's stock plunged between 25% and 26%, landing around $5 per share. Meanwhile, reputable outlets like the Times of India and AP News have also flagged concerns, noting that Kodak’s inability to cover debts has sparked serious doubts about its capacity to continue as a going concern.

Moreover, the company has taken drastic steps, such as terminating its pension plan contributions, and is relying on the questionable potential of a pension reversion to shore up cash reserves—yet accounting rules delay recognition of those funds until December. Kodak holds $155 million in cash (with about $70 million in U.S. holdings), but with debt looming, that may not be nearly enough.

This isn't Kodak's first brush with collapse. Remember its 2012 Chapter 11 bankruptcy, when it emerged from under a mountain of $6.75 billion in debt? Today’s news signals that, despite a decade of effort to reinvent itself—through pharmaceuticals, chemicals, and printing—Kodak’s future remains perilously uncertain.

So yes—right now, it looks dire. The mightiest of film-era giants is visibly faltering.

But Film Isn’t Dead Yet: Other Players Are Stepping Up

All is not lost for the world of analog imagery. Thankfully, other manufacturers are continuing to invest in, innovate, and release new film—especially 35mm.

1. Harman (Ilford)

Under the umbrella of Ilford Photo and Harman Technology (UK), a host of timeless black-and-white films remain in steady production. Think FP4+, HP5+, Delta series, and new Kentmere variants as affordable options for modern photographers.

In 2025, Harman launched Phoenix II 200, a refined update to their high-contrast color negative film; and RED 125, a redscale version in 120 format released in June. These moves signal active R&D and experimentation.

They’ve also continued their Ultra Large Format (ULF) and custom-size film campaigns, inviting niche enthusiasts and artists to order uncommon film sizes—another encouraging nod to analog’s artisanal side.

2. Luckyfilm

Based in China, Luckyfilm reintroduced black-and-white classics like SHD 100 and SHD 400 in 2024. They’re even considering a return to color film if demand holds.

3. Ferrania (Italy)

Though not explicitly mentioned originally, launching films like P33 (ISO 160) in 2024 and Orto (ISO 50 orthochromatic) in 2023 highlights continued European analog activity.

4. Others

Analog.Cafe’s June 2025 recap noted new additions including Ilfocolor 400 Cine Tone, Harman Red (120), and other format expansions from niche suppliers Analog Cafe.

What This Means for Photographers: A Crossroads

Kodak’s downfall hurts—no doubt.

As a symbol, Kodak’s decline is deeply symbolic of analog photography's wider struggles. But its business troubles are not synonymous with the end of film.

The film ecosystem remains resilient and nimble.

Where Kodak may falter, smaller and more agile players continue to thrive, driven by community demand and creative passion. These companies can adapt nimbly and offer new, specialized products.

Artistic value and analog revival persist.

For many, the allure of film lies beyond nostalgia—it’s about texture, craft, and intention. With demand sustained by enthusiasts, educators, and artists, the market may continue to sustain analog projects, even if on a smaller scale.

So, Is This the End of Film Photography?

Not at all.

Film, like photography itself, has always been a medium shaped by flux. While Kodak’s potential collapse may mark the end of an era, it doesn’t signal the death of film. Instead, it's a reminder to diversify, support smaller suppliers, and celebrate analog’s ongoing evolution.

Finding Hope at the End

As you wrap up your blog post, consider leaping off the precipice of uncertainty into a space of renewed optimism:

• Support independent film makers: Buying from Ilford, Harman, Luckyfilm, Ferrania, or Leica isn't just a purchase—it’s preservation.

• Celebrate new releases: Phoenix II 200, RED 125, Monopan 50—they’re proof that creativity endures.

• Explore niche formats: Ultra Large Format, custom films, and regional brands expand the palette of possibilities.

• Document the renaissance: Share your analog journeys. Whether through blog posts, galleries, or local groups—film’s story is still being written.

Wrapping Up

Kodak's current crisis may feel like a shutter slamming shut on analog photography’s grand legacy, but the race isn’t over. Across the globe—from the streets of Shanghai to the labs of Mobberley—makers are still coating emulsion, winding film, and lighting darkrooms. The decline of one giant doesn’t equate to the end of a medium. Rather, it marks a tipping point—inviting new champions to step forward, new voices to tell old stories, and new images to be captured on silver and celluloid. Isn’t that what photography’s about, after all?

Disposable Cameras: The Perfect School-Friendly Alternative to Cell Phones

Texas and many other states are moving forward with new legislation banning cell phones during the school day. In fact, starting in the 2025–26 school year, Texas public schools will begin enforcing House Bill 1481, which prohibits students from using phones, smartwatches, and other personal devices during school hours — even during lunch and passing periods.

So how do kids capture memories, field trip moments, or daily life at school without a smartphone in their pocket?

Enter the disposable camera — a low-cost, no-distraction, screen-free tool that’s making a big comeback among students, teachers, and nostalgic parents alike. Let’s explore why disposable cameras are the ideal solution for students during this phone-free era.

---

Why Disposable Cameras Make Sense for Students

1. No Screen Distractions

Disposable cameras can’t browse TikTok or send Snapchats. That means they won’t disrupt classroom focus or violate school policies. Kids can stay present while still documenting their experiences in a fun, creative way.

2. Simple, Durable, and Safe

Most disposable cameras are built tough. They’re compact, light, and resistant to drops. With a fixed lens and built-in flash, they’re ideal for kids to use on field trips, recess, or science projects without worry.

3. Budget-Friendly

At around $10 to $20 per camera, they’re far less risky than letting a child carry a $500+ smartphone. Even if it’s lost or broken, it’s an easy replacement.

4. Encourages Creativity and Mindfulness

With only 27 exposures per roll, disposable cameras make kids slow down, frame their shots, and think about the moment. It’s a refreshing counter to the “snap a hundred and delete later” mindset.

---

Disposable Camera Basics

📷 What Is a Disposable Camera?

A disposable camera is a one-time-use film camera, usually pre-loaded with 27 exposures of ISO 400 or 800 film. After using the entire roll, you turn in the whole camera for film development. Simple, fun, and completely offline.

💰 Cost Breakdown

Expense	Low-End	High-End Chain	Lab with Negatives
Camera	$10–$12	$12–$15	Bulk/promo pricing
Processing + Scans	$9.50	$14–$18	$12
Prints (Optional)	—	Included or +$12	Optional
Negatives Returned?	Rare	No	Yes

Total Average Cost: $20–$30 per camera including development and scans.

---

Where to Buy Disposable Cameras

• Local Retailers: Walmart, Target, CVS, Walgreens, Best Buy
• Online Stores: B&H Photo, Amazon, Adorama, Walmart.com

Popular options include:

• Kodak FunSaver – ISO 800, 27 exposures, built-in flash, ~$16
• Fujifilm QuickSnap – ISO 400, 27 exposures, built-in flash, ~$18–20
• Kodak Sport – Waterproof up to 50 feet, great for outdoor school events

---

Where to Get Disposable Cameras Developed

Local Options:

• Walmart: ~$10.96 for development with prints and digital scans (no negatives returned)
• Walgreens/CVS: ~$14–$18 for development with prints and scans (no negatives returned)

Mail-In & Independent Labs:

• Shutter Junkies Photo Lab: $12 for development + digital scans, prints extra, negatives returned. www.shutterjunkies.org
• The Darkroom: $13.25 with scans, negatives returned. thedarkroom.com

Tip: Always confirm whether negatives are returned when choosing a lab.

---

Using Disposable Cameras at School: Tips for Parents & Teachers

• Check school policy to make sure disposable cameras are allowed.
• Label the camera with the student’s name in case it gets lost.
• Use a soft pouch or case to keep it protected inside backpacks.
• Set expectations: explain how many photos they can take and how the flash works.
• Coordinate a collection day: Have students bring them in for bulk developing at the end of each month.

---

Educational Value: Photography as a Learning Tool

• Art & Composition: Use film to teach framing, light, and storytelling.
• Mindfulness: Fewer exposures = more intentional photography.
• Analog Skills: Kids learn patience and anticipation, waiting for prints and seeing how their photos turned out.

Bonus idea: Turn student photos into a hallway display or classroom photo gallery!

---

Conclusion: A Picture-Perfect Phone Alternative

With smartphones out of the classroom, disposable cameras offer a safe, affordable, and educational way for kids to capture the school year. They're screen-free, sturdy, and spark creativity — all while following school rules.

Looking for a great place to develop your disposable camera? We’d love to help! Visit our lab here at Shutter Junkies — we offer quick turnaround, high-resolution scans, optional prints, and return your negatives.

📸 Let kids document their school days the analog way. You’ll be surprised how meaningful it becomes.

Throwaway Camera vs. Reusable Film Camera: What’s the Difference?

In the world of analog photography, two low-barrier, beginner-friendly options dominate the conversation: the throwaway camera (also known as a disposable camera) and the reusable film camera. At first glance, they may seem interchangeable. Both take 35mm film. Both are often made of plastic. Both tap into that nostalgic, vintage photo vibe.

But don’t let the similar packaging fool you—these two types of cameras have some big differences under the hood. And if you’re deciding which one to try (or gift, or bring on vacation, or start your film journey with), understanding how they work—and what they’re best for—will save you time, money, and some serious blurry-photo heartbreak.

Let’s break it down, frame by frame.

📦 What Is a Throwaway (Disposable) Camera?

A throwaway camera is a single-use film camera, typically preloaded with 27 or 36 exposures of 35mm color negative film. They are designed to be used once and then either tossed or handed over to a photo lab for processing.

✅ Key Features:

• Preloaded with film (usually ISO 400)

• Fixed focus and shutter speed

• Some models include a built-in flash

• Plastic lens and body

• Meant to be used and then discarded or recycled

• No film reloading or manual settings

💡 Typical Price:

• Around $15–$25, depending on brand and film count

🛒 Popular Brands:

• Kodak FunSaver

• Fujifilm QuickSnap

• Ilford HP5 Disposable (B&W)

• Lomography Simple Use Camera

🔁 What Is a Reusable Film Camera?

A reusable film camera is exactly what it sounds like—a film camera that you can load, shoot, rewind, reload, and reuse again and again. Some of the most popular modern reusable cameras mimic the shape and style of disposable cameras, but they’re designed with reusability in mind.

✅ Key Features:

• Takes standard 35mm film rolls

• Refillable—can be used multiple times

• Some have basic exposure controls

• May include flash or fixed focus lens

• Slightly more robust than disposables

• You supply the film, usually

💡 Typical Price:

• Basic models: $25–$50

• Upgraded or vintage compacts: $60–$200+

🛒 Popular Brands:

• Kodak M35 / M38

• Ilford Sprite 35-II

• Lomography Simple Use (reloadable version)

• RETO Ultra Wide & Slim

• Vintage options (Canon Sure Shot, Olympus Stylus, etc.)

🥊 Side-by-Side Comparison

Feature	Throwaway Camera	Reusable Film Camera
Film Included	Yes (usually preloaded with ISO 400)	No (you buy and load your own)
Reuseable?	No (single-use)	Yes (reloadable and long-lasting)
Image Quality	Moderate to low	Varies (better with lens + film choice)
Settings	None (point-and-shoot)	Sometimes basic manual options
Build Quality	Basic plastic, not built to last	More durable, some have metal parts
Environmental Impact	Higher (single-use plastic)	Lower (used multiple times)
Cost Per Roll	Higher (since camera is single-use)	Lower over time
Great For	Events, weddings, kids, parties	Hobbyists, students, travel, everyday

🧪 Image Quality: The Big Tradeoff

Let’s talk results. The number one question we get at Shutter Junkies is:

“Will my photos turn out better with a reusable camera?”

The short answer:

Yes, but it depends on the camera and the film.

Throwaway cameras are fun, but limited. The plastic lens produces soft, low-contrast images, and without any exposure control, you’re at the mercy of whatever lighting conditions you’re in. Great sunlight? You’re golden. Low light? Expect blurs, grain, or dark shadows.

Reusable cameras give you more options:

• Load color or black-and-white film

• Choose ISO based on lighting conditions

• Upgrade to better film stocks (Portra, Ektar, etc.)

• Benefit from higher-quality lenses in some models

The difference becomes obvious when you get your scans back. If you care about color accuracy, sharpness, and getting more than just “vibe,” the reusable option is worth it.

🎉 When to Use a Throwaway Camera

Despite their limitations, throwaway cameras shine in certain situations. They’re simple, low-stakes, and nostalgic.Here’s when they’re perfect:

🥂 1. Weddings & Parties

They’re cheap, easy to hand out to guests, and ideal for capturing goofy moments. No one worries about breaking it or getting it dirty.

🏖️ 2. Beach or Travel Adventures

You can find waterproof disposable cameras for snorkeling, rainy hikes, or poolside selfies. And if you lose it? No big deal.

👧 3. Kids & First-Time Shooters

Throw one to your kid on a field trip or vacation—let them shoot without fear of breaking a fancy camera.

🧪 4. Creative Limitations

Want to shoot a whole roll with one theme or limit yourself to 27 frames? Use a throwaway as your project camera.

🧠 When to Choose a Reusable Film Camera

If you’re falling in love with film and want to get better, save money, and reduce waste—reusable is the way to go.

🎓 1. Learning Film Photography

You’ll understand film speed, exposure, and composition better when you can choose your settings and film type.

🏕️ 2. Ongoing Projects

Want to shoot a roll a week? Document a long-term trip? Capture your kids growing up? Use a reusable camera and change film types as you go.

💸 3. Save in the Long Run

A $30 reusable camera + $6 roll of film is cheaper than buying a $20 throwaway every time.

♻️ 4. Reduce Waste

No tossing plastic after one roll. Use one camera for dozens (or hundreds) of rolls.

💵 Cost Breakdown Over Time

Let’s say you shoot one roll per month for a year.

🔥 Throwaway Camera Cost (12 months):

• 12 cameras × $20 = $240

🧊 Reusable Camera Cost (12 months):

• Camera = $35

• Film = $6 × 12 = $72

• Total = $107

That’s over $130 saved—plus you keep the camera!

📸 Real-World Examples

Throwaway Camera Samples:

• Washed-out beach scenes with blinding flash

• Wedding reception dance floors full of blur and laughter

• Misty morning hike with unexpected grain = "vintage vibe"

Reusable Camera Samples:

• Sharp portraits on Kodak Gold

• Rich fall colors using Ektar 100

• Soft black-and-white street shots with Ilford HP5

At Shutter Junkies, we’ve seen every type of camera come through our lab—and we’ve scanned it all. The joy of film is that every roll has surprises, but if you want more control over those surprises, go reusable.

🤔 Common Questions

Q: Can I reload a throwaway camera?

Technically yes, but it’s a pain. They’re not built for it, and doing so may damage the camera or scratch your film. It’s like reusing a paper plate—it’s just not the same.

Q: Is a reusable film camera hard to use?

Nope. Most models are just as point-and-shoot as throwaways. Some even have built-in flash and simple focus zones.

Q: Where can I get my film developed?

Glad you asked! At Shutter Junkies Photo Lab, we process, scan, and even print your 35mm film. Whether it came from a throwaway or a Leica, we’ve got you covered.

🛠️ Our Favorite Models

If you’re ready to step up from a throwaway, here are a few beginner-friendly reusable options:

📷 Kodak M35 / M38

• Classic disposable look, but reloadable

• Flash built in

• Works great with ISO 200–400 film

📷 Ilford Sprite 35-II

• Sleek, black-and-white vibe

• No frills, easy loading

📷 RETO Ultra Wide & Slim

• Quirky ultra-wide lens

• Tiny, light, fun to shoot

🧵 Final Thoughts

There’s no wrong choice—only the one that works best for you.

If you want to relive a childhood memory, capture a party without stress, or just dip your toe into film, a throwaway camera is a great place to start.

If you’re ready to build some skills, stretch your dollar further, and reduce waste, a reusable film camera is your best bet.

Either way, film photography is about slowing down, being intentional, and enjoying the journey—not just the results.

So go shoot that roll. And when you're ready to see what you got, send it our way.

🧪 Ready to Develop?

🎞️ Whether it’s a $12 throwaway or a $200 vintage gem, we’ll process your film with care.
👉 Order Film Developing at Shutter Junkies

So You Wanna Shoot a Half-Frame Camera? Here's What Could Go Hilariously Wrong

There’s something undeniably charming about half-frame cameras. Maybe it’s the promise of 72 shots on a single roll of film. Maybe it’s the teeny-tiny size. Maybe it’s the aesthetic of shooting like you’ve time-traveled to 1965. Or maybe, just maybe, it’s because you saw a viral post about them on Instagram and thought, “Oh yeah—I need that.”

But here’s the thing: shooting a half-frame camera is kind of like raising sea monkeys. It sounds easy, but if you’re not careful, you’ll wind up confused, slightly disappointed, and wondering what you did wrong.

Let’s walk through some of the most common half-frame hiccups we see at Shutter Junkies—from exposure woes to existential dread halfway through a 72-exposure roll. If you’ve ever sent us your film and thought, “Huh… that’s not how I remember that looking,” this one’s for you.

☀️ 1. Exposure Roulette: Fixed Settings = Fixed Disappointment

Most half-frame cameras were never designed to make your life easier. They were designed to be cheap, compact, and fast—like the fast food of cameras. As a result, most of them come with fixed aperture, fixed shutter speed, and infinite focus. The most popular half-frame camera out there is the Kodak Ektar H35 Half-Frame camera and it’s basically a slightly fancier half-frame disposable that you can actually reuse. Designed for simplicity and ease of use, it lacks a lot of features that are present on even some of the most basic 35mm film cameras.

But having everything fixed and set sounds simple, right? Until you try to shoot a backlit subject and end up with a glowing silhouette straight out of a horror movie. Or you step inside a dimly-lit café and your photos come out looking like you accidentally exposed the roll in your pocket.

Without adjustable settings, your exposure success is mostly left to fate and daylight. And listen, we love the analog vibe, but there's a big difference between “moody underexposed” and “can’t tell if that’s a person or a ghost.”

Pro Tip: Stick to bright daylight. Avoid shadows. And maybe just say a little prayer before each frame.

🧃 2. Built Like a Juice Box

Have you ever held a plastic half-frame camera and thought, “Wow, this feels like a Happy Meal toy”?

You’re not alone.

Most modern half-frame cameras (and even some vintage ones) are constructed from ultra-light, questionably durable plastic. They’ll rattle if you shake them. They’ll crack if you drop them. And they’ll absolutely betray you if you put them in a backpack without a padded case.

We’ve seen cameras come into our lab with duct tape holding them together. (Yes, really.) One customer mailed in a roll and included a note that read, “Camera died after photo 31. R.I.P.” We held a moment of silence.

Moral of the story: treat your half-frame camera like an egg—precious, delicate, and likely to break if you look at it wrong.

🔍 3. Professional Film in a Plastic Box? Prepare for Soft Disappointment

Here’s a tale as old as time:

Someone loads a roll of Kodak Portra 800 into a $40 half-frame camera and expects editorial magic. After all, it’s the same film the pros use, right?

Well… sort of.

See, half-frame cameras often come with low-grade plastic lenses that add softness, distortion, and that unique "shot through a bottle of Windex" look. Even with top-tier film, the lens can only do so much. Your beautifully-lit scene might come out looking like it was run through an Instagram filter called “Confusion.”

Don’t get us wrong—we love quirky, lo-fi photos. But if you’re expecting razor-sharp detail and rich contrast, you're setting yourself up for heartbreak.

Pro Tip: Save the fancy film for a full-frame camera. Pair half-frame cameras with budget-friendly stock like Kodak Gold or ColorPlus. Embrace the grain. Lean into the blur.

🔓 4. Curiosity Killed the Roll

You know that little back door on your camera? The one you’re not supposed to open until the roll is finished and rewound?

Yeah… we need to talk about that.

Half-frame cameras are notorious for having terrible or nonexistent frame counters. Which means it’s very easy for users—especially those new to film—to accidentally open the camera mid-roll.

We’ve heard every reason:

• “I thought it was empty!”

• “I was just checking!”

• “I didn’t know how to rewind it!”

• “I got excited!”

Unfortunately, that little peek usually exposes several frames to light, if not the entire roll. You might get lucky and only ruin the middle. But if you’re really unlucky, all 72 shots might go up in a puff of light-leaked smoke.

Best advice? Leave that door shut. Tape it closed if you have to. Or write “DO NOT OPEN” in big letters with a Sharpie. Future-you will thank you.

🧬 5. The Grain Is Real

Quick science lesson: half-frame film is literally half the size of a standard 35mm negative. That means your image is being recorded on a much smaller space—so when it gets scanned or printed, the grain gets more pronounced.

Think of it this way: if 35mm is vinyl, half-frame is cassette tape. Still analog, still charming—but there’s gonna be a lot more texture.

And with today’s high-resolution scanners? That grain becomes very noticeable. Especially if you shoot higher-ISO films like 400 or 800. You might start to think your camera was shooting sandpaper.

Again, some people love the gritty aesthetic. But if you’re expecting silky smooth tones, you might be in for a rude, pixelated awakening.

🐢 6. 72 Shots of What, Exactly?

When you first hear “72 photos on one roll,” your brain lights up like it’s Christmas. Twice the photos for the same price? Sign me up!

But somewhere around exposure #46, the novelty wears off. You’ve already shot your cat, your lunch, a flower, three blurry street signs, and a series of identical selfies by accident.

We’ve had customers send in half-used rolls with notes like:

• “Got bored.”

• “Out of ideas.”

• “Thought it was done, but it kept going.”

It’s real. Half-frame fatigue is a thing.

So what happens when you get bored and decide to rewind early? Half the roll is blank. Wasted. Lonely. Unfulfilled.

Pro Tip: Plan a photo series. Try diptychs or side-by-sides. Use themes to keep yourself engaged. Or… just take a break. Come back to the roll next weekend. It’ll wait.

🔁 7. Rewind Roulette: The Art of Mangling a Roll

If we had a nickel for every time a half-frame roll came in bent, scratched, or backwards, we could open a second lab.

Rewinding film might seem simple. But many half-frame cameras have quirky rewind mechanisms that confuse even seasoned shooters. And because most don’t have motorized rewind, you have to do it manually.

Which leads to:

• Rewinding the film backwards into the canister

• Not rewinding far enough and popping the back open (hello, light leaks)

• Bending or scratching the film on the way out

We’ve seen reels so twisted they look like pasta noodles. And sadly, scratched emulsion is forever.

Best advice: Read the manual (seriously). Watch a YouTube video for your model. And rewind slowly, patiently, like it’s your grandmother’s jewelry box.

Final Thoughts: It’s a Vibe (And a Gamble)

Half-frame photography is kind of like analog slot machines: you crank, shoot, hope for the best, and sometimes strike gold.

Yes, things will go wrong.
Yes, your film will probably have weird quirks.
Yes, you'll wonder why every shot is blurry, grainy, or inexplicably sideways.

But here's the beautiful part: half-frame isn’t about perfection. It’s about experimentation. It’s about shooting freely. It’s about embracing a slower, sillier kind of photography.

And when it works? It really works.

Thinking of Trying a Half-Frame Camera?

Here’s our advice:

• Don’t use your most expensive film.

• Stick to bright daylight.

• Tape the back shut.

• Learn how to rewind it properly.

• Give yourself time to finish all 72 frames.

• And most of all—have fun.

Because at the end of the day, that soft, grainy, slightly-overexposed shot of your dog blinking? That’s not just a mistake—it’s a memory.

📮 Shot a roll on your half-frame? Let us develop it for you!
Order film developing at Shutter Junkies

🎞️ Want more film photography stories, tips, and cautionary tales?
Check out our other blog posts!